A view of the Port, Nelson, New Zealand.

Maker and role
attr Maker: Hamer Arden (b.1816, d.1895)
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Object Detail

Watercolour painting on rectangular sheet of cream paper with border margins. The image is a scene from the Port looking east across to Nelson city hills. A dirt road spans the foreground space. In the middle ground to the left is a wooden barrel lying on it's side, and further to the right a horse and cart, next to which a woman in a red dress and a man stand. To the left and 'behind' the horse and cart is a two storied building with casement windows, a flag pole on the roof and a street veranda extending over the road supported on posts. On the facade of the veranda is "H.M.CUSTOMS". To the left of the centre of the picture is the mast of a boat. On the right are two double-storied buildings with large shop front casement windows. There are planter boxes on the second stories. On the facade is "SHIP AKERSTEN. CHANDLERS". To the right side of the buildings are a row of wooden barrels and a flagpole and flag. To the extreme right is a steep cliff. In the background is the sea and hill ranges.

In the bottom edge of the window mount is "A VIEW AT THE PORT NELSON NEW ZEALAND"
Object type
Media/materials description
Media and materials
Sheet = 306 h x 384 w Composition = 230 h x 315 w
Maker biography
Born in England, son of watercolourist the Rev. Francis Edward Arden, Vicar of Gresham.
Hamar arrived in Taranaki with his wife Alice and family of three sons and two daughters in 1853 aboard the 'Cresswell' and according to newspaper accounts took up land at Willis Road (now Corbett Road), Bell Block. Within months of settling the Ardens found themselves literally in the midst of a Maori conflict, subsequently known as the 'Puketapu feud'. The cause of this conflict between the leading members of the Puketapu hapu was the sale of land, including that occupied by the Ardens, to the pakeha.
Although this conflict did not materially affect the Ardens, the Taranaki Land Wars which were soon to follow briought considerable changes to their lives. The onset of hostilities forced the family to flee their home and take refuge in New Plymouth.
Hamar at first moved the family to Nelson in 1860 but returned in 1861 to commence practice as a professional artist, the first to be permanently domiciled in the settlement.
He did a great number of watercolours, often of the same views of the township, then largely confined to the lower Huatoki Valley. In contrast to his son Francis, his known works are rarely 'topographical' and have more photographic than aesthetic qualities. The main characteristics of Hamar's work can be seen in these town views, the planes of buildings defined precisely, usually with a ruler, and yet otherwise his line wavers freely as he preferred to work directly with his brush. He simplified vegetation, hillsides and the slopes of the mountain into patches of colour that are often surprisingly vibrant.
There is little perspective in his work with the transition from near to far somewhat compressed. His layout typically emphasises the middle distance, where he liked to place buildings people and animals, while Egmont/Taranaki looms dramatically behind. His palette, although the colours have suffered variously with time, always appear warm and is often subtle, particularly on the sides and roofs of buildings.
For service in the Taranaki Volunteers he was granted confiscated land at Tikorangi. The Almanacs show that he practised as an artist into the 1870's in Gill Street, moving by 1877 to a property on Devon Street near the Eliot Street intersection and by 1888, the last date we have, at a Courtenay Street property.
Source - http://vernon.npdc.govt.nz/search.do?mode=1&view=detail&id=8215&db=person
AC number
Credit line
Arden, Hamar Humphrey (1816-1895) (attrib). A view of the Port, Nelson, New Zealand [n.d.]. Watercolour. Nelson Provincial Museum, Bett Loan Collection: AC839.

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